Maggy Garrison 1. Give Us A Smile, Maggy by Lewis Trondheim and Stéphanie Oiry. Europe Comics, 2017. Translation: Emma Wilson. 54pp.
Maggy Garrison 2. The Man In My Bed by Lewis Trondheim and Stéphanie Oiry. Europe Comics, 2017. Translation: Emma Wilson. 56pp.
Maggy Garrison 3. Shame It Had To End This Way Lewis Trondheim and Stéphanie Oiry. Europe Comics, 2017. Translation: Emma Wilson. 56pp.
Maggy arrives for work, for her first day helping Anthony Wight, Private Investigator, around the office. She tries to put on a happy face but finds her new boss passed out on his desk. She takes an angry phone message, and talks to a little neighbor lady looking for Rodgrigo, a canary who Wight is supposed to be looking for. And then her boss dismisses her for the day. But Maggy is on the job. She finds a way to “solve the case” and make the old lady happy, and make a little money in the process. And even if the job doesn’t pay well, it’s giving her the chance to smoke a few of her boss’s cigarettes.
She arrives for work on her fifth day to find Wight being loaded into an ambulance, and meets a cop she becomes friendly with. In a bar they check out men and Maggy solves another small mystery. And then she runs afoul of some very shady people over some coupons in her boss’s wallet. She’s soon unemployed but having drinks with one of the goons sent to intimidate her. And being double-crossed over a significant amount of cash. It’s more of a crime saga than a mystery, and throughout it all Maggy is just so smart and calm and ordinary that I loved this way more than I normally enjoy stories of reluctant and unlikely amateur detectives.
I’m really excited that Europe Comics is translating some great graphic novels and making them available for the English-speaking market digitally. The digital editions offer me a great chance to save some shelf space and justify the huge, high-resolution tablet my tired eyes need to read these at their best. (They look great on my laptop, but my 12.9″ iPad Pro makes them sing.)
If you’ve been following my reviews for a while, you know Trondheim is my favorite cartoonist. Other than certain volumes of the Dungeon series, I haven’t read much of what he’s written for other artists to draw, and this is delightful. Oiry’s art really serves the story, and her use of color is notably great without being distracting — I stopped several times in each book just to look at the colors she used. (I particularly liked the endpapers, a two-page image of Maggy standing atop a map of part of London.)