Dreamtime

In Between: Poetry Comics (Visual Poetry Series) by Mita Mahalo. Pleaides Press, 2017. 9780807167786. 80pp.

Gene: You know how it’s every librarian’s dream to discover an author no one knows about that’s totally f’ing awesome?
Sarah: My dream is people leaving the library at closing time.
G:  …no masturbating at the computers…
S: …no needles in the bathroom…
G: I share those dreams with you. This is the book dream, the dream where you know about a book that’s so good everyone else needs to know about it. And you get to tell them.
Mita — I started buying her minicomics at Short Run years ago. She makes collage comics out of cut paper, and she’s an associate professor of English at the University of Puget Sound. She’s also the friend of a friend of ours. So I see her at local comics shows, I have two pieces of commissioned original art by her hanging in my house — one of animals that represent my family, one of a scene at the end of the first Highlander movie.  But I digress. This book was put out by the University of Central Missouri Press, and they saw poetry in Mita’s comics. I’d never really considered them poetry, but it’s a label that fits, it seems obvious now.
In addition to the short comics she’s published before, the book contains a story taking place between them, about a girl with antlers growing out of her back. Mita uses newspaper for her skin.
The first comic of hers I ever saw was “Unidentified Feeling Object,” which is about a little spaceship, and it’s here in the book, too.
S: There’s little heart on the end!
G: The spaceship is made of newspaper too.
S: She uses the panel borders, too. That’s great.
G: The paper she cuts out breaks the borders sometimes. And it’s clearly photographs of paper — there are shadows under them because they’re at different heights. I remember seeing this for the first time and just going, “Wow!” I think she looked at me like I was insane because I was so giddy. I’d found something amazing! And I’ve been a fan of her work ever since.
I’m going to show you two other poems in here, to show you Mita’s range. This is called “Patterns.” It’s much more of a classic collage made from magazine images but it has cut paper elements, and it’s on an old clothing pattern. Captain Kirk makes an appearance, and there are lots of animal heads.
S: It’s beautiful.
G: I love how she uses cut paper to create the idea of water.
S: And there are different dress patterns on every page, everyone is wearing a dress.
G: I didn’t notice that because I’m not smart.
Then this is a one page called “Caws,” about crows in a tree.
S: This is the first time I’ve been excited about a poetry book from a university press.
G: Shame!
Look at a little more of the story of the girl between the poems, with the girl with the antlers on her back. I think it was made for this, at at least I’ve never seen it. I’m not sure what it means.
S: Are they antlers? Maybe they’re branches.
G: She’s breaking them.
S: Look at the words that fell here.
G: It’s just a suggestion of what’s happening. And then she gives away the branches.
S: The words on her hands are playing into it as well.
G: Every time I look at anything Mita has created I notice something new. Sometimes it’s just a texture, or the way the space seems to work, or a word.

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