Pretty Busy

Bees: A Honeyed History by Piotr Socha. Abrams, 2017. 9781419726156. 80pp.

Gene: This book was originally published in Polish —
Sarah: Endpapers!
G: I bought this for my daughter, whose name is shortened to B.B. And yeah, those endpapers, looks like the inside of a perfectly laid out beehive, which is nifty, and the illustrations are just expletively great.
Apparently Poland produces great picture books, because there’s that imprint, Big Picture Press, that publishes so many in English. (Welcome to Mamoko is one of my favorites. They also published Under Water, Under Earth.) But I was wowed by this book so had to buy it for her.
S: It’s cartoony and cute!
G: Kinda. But there’s no black lines around the images, it’s more the style of pieces of color being used to create the pictures.
S: It looks like Mary Blair‘s work.
G: (It does.) Honeybees have been around for millions of years — they coexisted with the dinosaurs. This two-page spread describes what they were like, apparently they were more like wasps, before they started getting food from plants, and at that point they got hairier so it was easier to transport pollen.
(turning page) This is a huge and beautiful picture of a honeybee.
S: That is so great.
G: Queen, drone, and worker, in scale. Honeybees have four wings, which I hadn’t realized. And very gruesome looking horror mouth parts.
The basic layout of this book is there are two-page spreads with, across the bottom 1/10th, some bit of text about the images above. On the anatomy page there’s some content about that, including that their wings beat 230 times per second and that they can reach a speed of about 20 mph.
S: That’s pretty fast.
G: And why you can’t run away from a determined bee.
Here are pictures of the hive, doing different things in there, and how the workers raise a queen. And then a honeybee mating picture — they do it in the air, as the queen is trying to fly off to establish a new hive!
S: Wow.
G: Most of the eggs are fertilized during this mating flight, and those become workers, or new queens if they’re fed royal jelly. Unfertilized eggs hatch in to drones.
S: Weird.
G: There’s a little bit about the waggle dance, swarms — the image is so complicated and layered I can’t imagine anyone creating it without a computer, but I’m probably wrong — there’s a complexity to some of these images that reminds me of medical illustrations.

St. Ambrose

There’s some info on biomimicry, pollination (including other pals that pollinate, like the death’s head moth), small bees, cave people, ancient Egypt (where they kept bees in nifty, stackable clay vessels), the diet of the Greek gods, and then here’s dead Alexander the Great, who was transported home in a huge pot of honey after he died (to preserve him). There’s a lot on Slavic cultures, and more on the Polish culture than I’d normally expect to see in a book on bees, because of the book’s origin. St. Ambrose is the patron saint of bees! And Napoleon and Josephine changed the fleur de lis to a golden bee design, to wipe away all traces of the kings who’d ruled France before him. Here is a fake newspaper broadside with miscellaneous bee facts.
S: Way more text on that page.
G: Some bits on domestication, and then beekeeping through the ages. Weird Polish history note: beekeepers were held in high regard, and in medieval Poland they had a lot of power, including being able to sentence people to death, which was the punishment for anyone who stole bees.

Beekeepers may be your next cosplay.

S: The medieval beekeeper uniforms are fantastic!
G: Bee hives people make (including old styles from other cultures), beekeeping equipment which is fascinating if you’ve never seen it, and then the crazy thing — people make beehive sculptures (in Poland!).
S: I see Jesus.
G: … and St. Francis, Adam and Eve, demons, soldiers…the list goes on. This is my favorite page in the book. I need to see if my friend Dave, who keeps bees, can build something like this.

07734

Dear Fahrenheit 451: Love and Heartbreak in the Stacks: A Librarian’s Love Letters and Breakup Notes to the Books in Her Life by Annie Spence. Flatiron Books, 2017. 9781250106490.

Sarah: Each chapter of this is about a book or a genre. Each is only two or three pages long, and starts with a fake catalog entry — the subject headings are sometimes serious and sometimes hilarious. Each chapter is written like a letter. The first one starts “Dear The Goldfinch,” the book by Donna Tartt.
Gene: Have you read The Goldfinch?
S: No, but I feel like I needed post-it flags or a highlighter to mark all the books in here I want to read now. She writes love letters to the books that changed her life and why she loved them, how they came into her life at the right time…
G: So it’s as much about her as about the books?
S: Is is SO much about her, it’s this great autobiography through books. And she works in a library, so she also writes breakup letters to books she has to weed from the collection!
G: It’s not just love letters?
S: Not just love letters! Breakup letters, hate letters…
G: Hate letters!
S: Here’s one to a book, the subject headings she puts at the top are “Calculators” and “Old as Shit.” It’s to the book The Calculating Book: Fun and Games with Your Pocket Calculator. (laughs)
G: That one’s a breakup letter.
S: “We never go out anymore. To be more specific: you. You are REALLY not getting out much these days. It’s not that recreational mathematics isn’t a thing anymore. I guess it’s just that — how do I say this? Remember how on your book cover you ask if we have ever wanted to greet a friend electronically? People have kind of figured out how to do that without turning their calculators upside down to spell ‘Hello.'”
G: (laughs) Nice!
S: It covers all the relationships you can have with books. She’s got the one she reads every year, that she fell in love with in college…
G: Which one is that?
S: The Virgin Suicides. She’s got another one she fell in love with unexpectedly, and other books that came along at exactly the right time. She writes an angry letter to The Giving Tree for being a piece of shit.
G: (laughs) People love to hate on that book now.
S: Well, it’s a real weird story. I cracked this book open in Browser’s Bookshop in Olympia, to this page… well, I looked at the table of contents and had to flip to it…
G: Did you buy this? Do you own this?
S: Yeah.
G: (admiring) Well, look at you!
S: I opened it to Grey: Fifty Shades of Grey as Told by Christian. She starts he letter with “Whhhhyyyyy do people keep asking me if I’ve read you? Aren’t you the same book as the last one of you I said I didn’t want to read?” Towards the end of the letter she says, “You made me say ‘erotica’ to an old lady, Grey! I’m going to hate you forever for that.”
G: (laughs)
S: And this line, here, “It makes me want to shake readers and scream: YOU’RE SURROUNDED BY GREAT LITERATURE AND THIS SHIT ISN’T EVEN THAT DIRTY!” (laughs)
I was laughing out loud at these letters, I was touched, and she really has a handle on the kind of relationship I have with books. I mean, her life is different from mine, she has a kid and talks about the books she reads with her kid…
G: Does she write letters to them, too?
S: Uh-huh. Here’s one to My Truck Book, which her kid wants her to read out loud one million times! She has this great chapter, it’s not to any book in particular, but it’s her at a party, too shy to talk to anyone, getting progressively drunker, talking to the host’s bookshelf. (laughs)
She writes this one, “Dear Books I Imagine My Upstairs Neighbor Reads,” as a way of complaining about his horrible behavior.
She has a great section at the end that lists her recommendations by topic. One of the categories is Recovery Reads, “the books to turn to when you’re on the mend from a book that gave you nightmares or left you in a dark headspace and you need some lighter fare (but don’t want to give up quality).”
G: AKA The Zero by Jess Walter. (both laugh) What does she recommend?
S: Squirrel Seeks Chipmunk by David Sedaris, Dolly: My Life and Other Unfinished Business by Dolly Parton… she really likes celebrity tell-alls, she’s got a couple letters to them… Nobody’s Fool by Richard Russo, 32 Candles by Ernessa T. Carter…
G: Nobody’s Fool, I’ve meant to read that a couple times, and maybe this will push me towards it again.
S: She’s got other quick lists, “All Time Top Bios and Memoirs,” “Books About Girls and Romance that Don’t Make Me Wince Like Twilight.”
G: What’s on that one?
S: Just One Day by Gayle Forman, The Summer Prince by Alaya Dawn Johnson, The Bermudez Triangle by Maureen Johnson, Like No Other by Una LaMarche, Dumplin by Julie Murphy. Plus some nonfiction ones.
G: That’s great! How fun! And not previously published on the web?
S: No, it’s an actual book! And worthy of being a book, worthy of being purchased, worthy of being a gift to your friends. Though I did have a coworker I recommended it to and she said it was hard for her to take because there were so many things about bad library interactions. (She read it all in one sitting and I read it over the course of several months, which I think made it more pleasant for me.)

Oof!

Grunt: The Curious Science of Humans at War by Mary Roach. W.W. Norton & Company, Inc., 2016. 9780393245448.

Sarah: Mary Roach is awesome at writing books on a topic and giving you all of the cool things you want to know about and not any of the dumb stuff you don’t want to know about.
Gene: Science-ey topics.
S: Yes, she’s a science writer. She wrote one about what happens to your body after you die, called Stiff.
G: I listened to that while driving to North Dakota last year.
S: They’re great on audio. That one had everything you might want to know about donating your body to science. There’s one about the digestive system, the alimentary canal.
G: That’s called Gulp.
S: And Packing for Mars, which is the only one with a long title. I still talk about things I learned from that book, it’s great in conversation.
G: That one’s about the science needed to go to Mars, and how it’s being developed?
S: Yeah. One of my favorite things from that to bring up in conversation, which is why you should invite me to parties, is that there’s a science behind pet food, dog food especially, to minimize the amount of shit that it creates.
G: Really?
S: They want to make really efficiently digested foods so there’s less poo. You need that if you’re on a spaceship because you don’t want to generate a huge amount of waste.
G: But this book is not about shit?
S: The subtitle to this is The Curious Science of Humans at War. Picking it up, I wasn’t sure this was a good topic for Roach, but she always picks the absolute best topics. She’s not talking about missiles, or about being a spy, or any of the stuff that’s been covered elsewhere. She’s got a chapter on the U.S. military’s fabric and fashion designers, she talks about the kind of fabrics you need if people are going to shoot at you. How they’ve changed some of things about the fabric because of IEDs, how they’ve changed some things because of the way fires start in tanks.

Continue reading “Oof!”

Doug, right?

The Collected Doug Wright: Volume One: Canada’s Master Cartoonist by Doug Wright. Introduction by Lynn Johnston (For Better or For Worse). Drawn & Quarterly, 2009. 9781897299524. Beautifully designed by Seth. 240 wonderfully oversized 240pp.

Gene: Do you know who Doug Wright was?
Sarah: No.
G: He was kind of…
S: Is he that Canadian guy?
G: He’s that Canadian who the Doug Wright Awards are named after.
S: Oh yeah.
G: I was going to say he’s kind of like the Charles Schulz of Canada? His comics don’t look much like Peanuts, but they were beloved. They ran for a long time in Canadian newspapers. His most famous was Little Nipper or Nipper, which became Doug Wright’s family.
What I really like is that this is an oversized book that has blown up some of his drawings, especially from the beginning of his career, and it shows you how amazing his comics were. They were mostly, I think, black and white and red, so black and red ink plus white space on the page. They’re all about a little boy, Nipper, and his family.
There’s a huge biographical essay in the book about Wright’s life, which I didn’t read much of. But there are some pieces of his art that are very cool. It’s supposed to cover 1949 – 1962, so it’s before this smaller format Nipper collection which I also have, which covers 1963 – 1964.
Look, his early comics were so old school.
S: Lots of detail!
Continue reading “Doug, right?”

Shitty Art

Leonardo Was Right by Roland Topor. Translated by Barbara Wright. John Calder, 1978. Playscript 83. 0714536717.

Sarah: Leonardo Was Right by Roland Topor…This is a play.
G: Oh my god, this is the smallest book we’ve talked about so far… just a 25 page tome.
S: Right, it’s a fast read.
G: Translated from what?
S: From French, oui oui. One of the reasons I’m hesitant to talk about this on Bookthreat is that it’s out of print and wildly overpriced online in both French and English.
G: Our friends in the library world have this thing called interlibrary loan, so don’t worry about it.
S: This was a book that Tom loaned me that he thought I’d find funny because it’s a play that’s entirely about shit. (laughs)
G: I’m picking the book back up!
S: He said I might want to recommend it to you! It’s about this couple who visits another couple in the country and, as the play opens, we discover that their toilet’s backed up and they’re having problems unplugging it. So every time someone has to go to the bathroom they have to go to the neighbor’s house! Then, at dinner that evening, there’s a turd in the center of the table. They need to find out who the phantom shitter is.
G: Oh my god.
S: And both of the men in the couples are policemen, high up, and they start to gather all the clues to find out who did it. One of them ends up interrogating his son, dunking his head in water… it’s ridiculous. But it’s really quite funny, even aside from the poop aspect.
G: And it’s French?
S: It’s French, and the whole time I read it, I was trying to imagine someone putting on this production, imagining it on the stage. What kind of prop poo do you use? Do you use one of those rubber dog-doo things from the joke shop?
G: That’s your whole pitch?
S: Yes. I didn’t like the ending, but other than that it was quite entertaining.
G: Obviously, poop is very funny, Sarah, because you’re laughing, and I’m laughing. My favorite episode of TV ever is from It’s Always Sunny in Philadelphia, Who Pooped the Bed? (Editor: Season 4, Episode 7)
S: I think you showed that episode at your birthday party.
G: It sounds like they took the idea right from this. Is the author well-known?
S: Yes, he was a political cartoonist, a playwright, a novelist, and he wrote a bunch of pop songs, including some performed by a Japanese-French chanteuse famous for her unusual hats…
G: (laughs) I don’t know why, but that’s perfect.
S: You should listen to his song about an ambulance… or the disco version.

Jazz of the Knitting World

Knitprovisation: 70 Imaginative Projects Mixing Old with New by Cilla Ramnek. St. Martin’s Griffin, 2004. 9780312362942.

Sarah: I grabbed this book because the projects in it are really cool, and I thought you might like it because it makes use of all of your half-finished knitting and crochet projects. If you get started on something and don’t know how to finish it, or get started and it doesn’t look like you thought it was going to look, or if you buy something from the thrift store and want to know how to use it for something else, this is how you do it.
Gene: (looks at a picture of a project, laughs out loud)
S: This one reminded me of the sound suits made of doilies in the Nick Cave book you love.
G: Is the shirt part of this project?
S: This is two projects. A t-shirt with a really fancy multicolored doily sewn to the front of it, with a circle of buttons sewn around it, and then on top of that, the model is wearing a sweater that juuuuust comes to nipple level? It’s sleeves and a neck and just the very top of the body.
G: A long-sleeved half turtleneck sweater. It is very sound suit-ey. I like it.
S: How to take a half-finished thing and make it into something else…
G: Can you make a sweater that’s just from the nipples down, too? A tube-top sweater?
S: Keep reading! (laughs)
G: Oh my god! That looks really unfortunate!
S: It’s a skirt that’s made out of some really plain knitting, maybe a sweater that’s been chopped up, and she’s put on some patterned ribbon and a zipper and a doily and put on some new edging…
G: “Skirt with pot-holder in front” Holy crap. This looks like sweaters I’ve seen in photos from Mongolia, of people packing up a ger.
S: It’s really little pieces made into bigger projects. It’s not overly twee, it’s not cutesy.
G: But there’s kind of an adorableness to this.
S: Yeah!
G: (laughs at another page)
S: There are some garments where people are wearing a t-shirt underneath, and some where they SHOULD be wearing a t-shirt underneath. Stuff that doesn’t totally work as a functional item of clothing.
G: This one is an apron dress worn by a little girl with no shirt on underneath. Paper, plastic and yarn…

S: This is kind of cool, I think she got this bag used, mostly as-is. It’s greeting cards that have holes punched along the edges and then they were crocheted together into this bag.
G: Did you come from a family that had crocheted beer can clothing?
S: No, but I have made a crocheted library card hat.
G: Ooooh!
S: I bought the beer can pattern and made a library card hat. It’s cool to wear for outreach — people can tell you’re from the library, they recognize their cards on the crown.
G: Some of these things look demonic.
S: They do! Which is kind of why I like it. There’s a pair of gloves in here that are just tremendously disturbing. This one is nice, they took a piece of crochet and made an iron-on from a photocopy of it, then put it onto a sweater.
G: I think we have different definitions of the word “nice.”
S: You can’t duplicate any of these projects exactly, because so much of each is based on stuff that the author found, which I kind of like. There are so many craft books that say “here, copy this perfect, beautiful thing” or more like “fail at copying this perfect beautiful thing and then hate yourself.” This is the opposite of that. It’s just ideas, to get you to think differently about creating and about what you can make from what you have.
G: I think someone could re-market this as post-apocalyptic craft fashion, maybe turn it into a book about re-knitting the clothing of the dead (or repurposing their handmade potholders, at least).

I Want It Now!

Polaroid: The Complete Guide to Experimental Instant Photography by Rhiannon Adam. Thames & Hudson, 2017. 9780500544600. 240pp. 840 illustrations. (A weird thing to say, especially about a book about photography, but it’s noted on the title page, so there.)

Gene: This is not the kind of book I read cover to cover, and I don’t think it’s supposed to be that kind of book.
Sarah: I’ve got to start bringing more cookbooks. I don’t “read” them, so I don’t think of them as being “books I have read.”
G: Bring any books you’ve loved. (Flips the book over for the reveal.)
S: OooooooOOoooOOoh!
G: You seen any experimental Polaroid photography? Where people draw on photos or scratch them and do crazy things?
S: Yeah!
G: I find analog photography compelling, just the idea that you can’t mess with it forever like digital. Somehow it feels like mistakes are more natural, more allowed, more a part of the process. And here’s my guidebook. There’s a How to Use This Book section, which I of course skipped. There’s a Quick Start Guide, which tells about types of cameras. And then there’s a Film Compatability Guide, because there’s a lot of old film stock out there and folks covet it. Will it fit your camera? Find out here. This is instant camera porn. There are so many more instant cameras in the world (and in this book) than I ever knew about.
S: Here’s a Party Time Instant Camera.
G: It goes right up to now, with some instant cameras funded via Kickstarter. I think the core of this is the Impossible Camera. There are lots of dated photos. It starts with old peel-apart cameras. It details which accessories are compatible with which cameras in case you’re buying on the secondary market.
S: This is the book to have next to you when you’re shopping eBay.
G: And it gives a user guide with troubleshooting tips for each style of camera covered. It explains how peel-apart film works — apparently you can do things with it you can’t do with other film types.
S: Double exposures and stuff?
G: Weirder. And apparently it depends on how you peel.
And there are tips on dealing with jams, and lots of buying advice for each type of camera.
These are boxes for drying and storing instant film. And then there are little bits and pieces. Large format 20 inch x 24 inch Polaroid cameras, which are a thing. A primer on how instant film works, the chemical processes. It is apparently one of the most complex chemical processes developed by man and available at the consumer level. And then different camera series. It gives ideas of what happens to film when things go wrong (but maybe that’s what you want?). Pictures on different kinds of film stock.
S: More buying advice.
G: Here’s my favorite, the Tasmanian Devil instant camera. And look, the outline of the photo makes it look like the camera was in the character’s mouth (which is what the camera looks like). There’s a Hello Kitty camera of course, but also a Jaegermeister branded camera and other oddities, Legoland, McDonald’s, other branded cameras.
S: Is that an ER medical camera?
G: It’s for emergency medicine, somehow. Then there’s a transparent camera.
Here’s a guide for swapping film. This whole thing is very practical.
It starts to hint at how to do different things. This camera has a stand people use to create instant film mosaics. It doesn’t quite explain how… Accessories continue, different types of cameras, and then it gets to the Impossible Camera Lab, which you can use with your smart phone to create instant photos. Ridiculous? Maybe. But cool.
These are the instant cameras that took photos on little stickers, like Japanese photo booths.
S: I remember those, yeah.
G: And this is the Impossible Camera that I talked about earlier, which you can control with your phone and of course it has an app. There’s a user guide, lots of info. There are machines that let you print from slides onto instant film.
That’s a little more than 1/3 of the book.
And then it gets into creative techniques, all the cool things you can do with the film, my favorite of which is lifting off the front part where the image is printed and using it as a transparency.
S: Cool!
G: You can lay it across surfaces to create different effects.
So many more techniques. More troubleshooting. Lots of examples to inspire you or scare you off, including using expired film to get weird effects, because apparently no one knows what it’s going to do. And the great thing is they don’t care — it’s all part of the art.