The Incredible Flatness of Being

shapes by John. J. Reiss. Little Simon, 2016. 9781481476454. 34pp.

colors by John J. Reiss. Little Simon, 2016. 9781481476430. 34pp.

Two classic picture books from the late 60s and early 70s featuring what I think of as flat art — bold, uniform colors, no shadows, gradients, or textures. (The board book format’s cardboard pages makes the art feel even flatter.) I’ve got no idea how art like this was colored before the age of Photoshop but it’s simply wonderful to look at. In shapes a gray fox and his friend, a mole, show where colorful basic shapes like triangles and circles appear in things like sails and thumbtacks, and how they can be combined to make more complex shapes like pyramids and spheres. There are even pentagons and hexagons and more. In colors Reiss shows the variety of what we might refer to as “blue,” “yellow,” and other colors by showing differently colored things — cornflowers, blueberries, the sea / baby chicks, bees, squash — that are not all the same color as each other. Like the fish on the cover, the entire design emphasizes that things we can group as the same aren’t the same. And his section on green includes gooseberries, which kids need to know about so that stores will continue to stock gooseberry jam, which I love.

Thrice Upon Three Board Books

  

Rapunzel by Chloe Perkins, Illustrated by Archana Screenivasan. Little Simon, 2017. 9781481490726. 24pp.

Snow White by Chloe Perkins, Illustrated by Misa Saburi. Little Simon, 2016. 9781481471855. 24pp.

Cinderella by Chloe Perkins, Illustrated by Sandra Equihua. Little Simon, 2016. 9781481479158. 24pp.

The board books are all part of the Once Upon A World series, short retellings of classic fairy tales for very little kids set in different places around the globe: India (Rapunzel), Japan (Snow White), and Mexico (Cinderella). The tales themselves are short and simple — details aren’t changed at all to make the text refer to the cultures where the stories takes place. (The one exception I recall is that in Snow White the text mentions that the seven dwarves have teacups in their cabin.) It’s the art that sets the stories in other lands. The books make the unstated point — that these stories are universal — and they totally work.