Stickwork by Patrick Dougherty. Princeton Architectural Press, 2010. 9781568989761. 208pp.
Gene: Patrick Dougherty is a sculptor who works with sticks. (opens book)
Sarah: Oh wow!
G: I know.
S: Are those elephant butts or faces?
G: He works onsite at museums and gardens and parks. When he goes in (he needs a bunch of volunteers to help) he has to figure out what kind of sticks will work with the site. Sometimes the site is trees or a building or the inside of a building. And then he has to find a source of sticks nearby. The intro says that because of urban expansion, trees are often cleared from lots, and small sticks will grow there. Before a lot is cleared again for final construction, there are enough sticks for him to harvest. Dougherty works in different layers, and the first phase is anchoring bigger sticks in the ground to act as structure. Then he weaves in smaller sticks, and keep weaving them in until shapes appear.
This book includes not just photos of freestanding structures but big swirly shapes, some look like they’re windblown or organic…
S: Like they’re put together by birds.
G: And others look like big houses. It’s a look at his career up until the publication date. (looking at another photo) This is a giant swirly pattern in a room. It’s not quite as full as some of the other sculptures. It really looks like if you sketched the wind.
S: It’s cool that he uses local sticks. That makes it more environmental, right?
G: It’s renewable, and the sticks would be removed anyway…
This is one of my favorites, Holy Rope.
S: Twining through a tree…oh, you can go inside it!
G: It was in Chiba, Japan. It’s a swirl of a treehouse, and there’s a photo of two people inside looking out at us.
This is Little Big Man and it was in Denmark. It’s a weird guy who looks like he’s made of wind. He’s just above a pond or marsh.
G: Creepy as hell.
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